Last time we discussed the sixteen different tenses of the
English language, all of which you’ve probably used before. Of course, some of
them get used more often than others. All of those “future in the past” tenses,
for example—those are complicated and strange enough that you surely won’t need
to use them often, right?
Wrong.
The future-in-the-past
or relative tense is used when
speaking of an action or event that will be in the future for a particular
person whose actions are being related in past tense. It’s a bit of a
convoluted notion, and that’s why many people consider it an obscure tense when
they first encounter it—I know I did. But think about it; the vast majority of
stories are written in the past tense, right? So if a story is written in past
tense, and the author needs to discuss actions that the characters plan to
undertake later on in the narrative—in their
future but not ours—then the author
will need to use the relative tense.
As it turns out, authors use the relative tense all the time. Here . . . I will grab the
nearest book to me and flip through it; I can almost guarantee that I will find
some usage of the relative tense. The book is The Name of the Wind by Patrick Rothfuss (italics added for
emphasis):
The two talked of
small matters as they worked. And while they moved around a great deal, it was
obvious they were reluctant to finish whatever task they were close to
completing, as if they both dreaded the moment when the work would end and the silence
would fill the room again.
There you go. The story is told in the past tense—“the two talked” and “they moved around”—but the author needed to refer to a moment that was
yet to come for the two characters. The moment is in the future for the
characters but not for us, the readers, so the proper tense to use is the
relative tense.
I often see errors when it comes to future tense in stories,
and it’s usually because writers use the future tense where they should have
used the future-in-the-past tense. The mistake might look something like this:
Callie kept
glancing at the clock as she worked. Her shift will finish at five o’clock, and
then she will go hunt down the nightbeast.
Callie’s shift finishing and her hunting down the nightbeast
are events that are in the future for her,
but not for us the readers, since the whole story is in past tense. Therefore,
those wills should be woulds:
Callie kept
glancing at the clock as she worked. Her shift would finish at five o’clock,
and then she would go hunt down the nightbeast.
Simple as that. Note, however, that if this had been dialog,
the normal future tense would have been required. If the narrator is speaking
of future events, then you need to use future-in-the-past tense; but the
characters themselves still speak of their future in future tense.
“Callie, you need
to take care of this,” Maria insisted.
Callie glanced at
the clock. “My shift will finish at five o’clock, and then I will go hunt down
the nightbeast.”
The same rule applies to stories told in the present tense:
Callie keeps
glancing at the clock as she works. Her shift will finish at five o’clock, and
then she will go hunt down the nightbeast.
But if you’re writing a story in past tense, keep an eye out
for situations where the narrator refers to events that haven’t come yet—these will
often require the relative tense.
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