Showing posts with label Sentence fragments. Show all posts
Showing posts with label Sentence fragments. Show all posts

Monday, March 30, 2015

Minding Your "ings": Sentence Fragments

I recently went over sentence fragments—what they are and why they are a problem. As I was reading a manuscript this weekend, however, I suddenly realize that I neglected to mention the type of sentence fragment that is probably the most common: the “-ing”-verb sentence fragment.

Now, the -ing verb (or present participle) is a subject that I’ve covered a few times before. It’s a form of verb that is usually used to indicate that one action is being performed simultaneously to another action. For example:

     Gasping for breath, Amy slowed to a stop.

The above sentence indicates that two actions are occurring at the same time—Amy was gasping while she slowed to a stop.

Note that only one of the verbs in that sentence (gasping) is an -ing verb. The second verb (slowed) is a simple past-tense verb paired with the subject of the sentence, Amy. That’s because an -ing verb cannot serve as the primary verb of a sentence.

Remember: the most common use of the -ing verb is to indicate simultaneous actions—it can’t be used without another verb in the sentence that is conjugated to pair up with a subject, as in our example above. When writers attempt to use an -ing verb as the primary verb of the sentence, they end up with sentence fragments like this:

     Driving to the store.

This example has no subject! Who is driving to the store?

Pictured: The scene created by the sentence fragment "Driving to the store."

     His head pounding.

This example has a noun that could function as a subject, if it weren’t paired with an -ing verb.

     Gasping for breath, her lungs burning and her legs aching.

Again, this example has nouns (lungs and legs), but it has no verbs that aren’t in -ing format, so it is still a sentence fragment.

Now, you might look through your manuscript and find a sentence like this:

     Amy was running in the park.

That sentence doesn’t follow the same format as our good example above, does it? But it’s an -ing verb, and it’s grammatically sound. But note that there is a second verb in that sentence, one that is conjugated to work properly with the subject: was. That’s why this sentence works where the others didn’t.

(You might also note that there is no simultaneous action in that sentence. Take a moment, though, to think about how that sentence would be used. It would probably be part of an introduction to a scene, don’t you think? “Amy was running in the park. A dog approached her with a human hand in its mouth.” The simultaneous action is still there—it will just be in a different sentence.)


As I said before, this is probably the most common type of sentence fragment that I run across in manuscripts. So keep an eye on any sentences you have that feature an -ing verb, and make sure that they also have a proper subject and verb. Even then, though, there’s a lot of ways that -ing verbs can go wrong. To make sure everything is in order, go back through the rest of the “Minding Your ‘-ings’” series to make sure that your -ings are all square: here’s the links to Part One, Part Two, and Part Three.

Wednesday, March 18, 2015

Identifying Sentence Fragments

I was browsing through my old posts this morning and was surprised to find that I haven’t written about sentence fragments before. So let’s dive back into the basics of what makes up a sentence: a subject, a verb, and (often) a direct object.

     Mary-Anne    devoured    her sandwich.
        Subject           Verb        Direct Object

The subject of the sentence is the thing that is performing an action. The verb is the action that is being performed. The direct object is the thing that is being acted upon—the thing that the verb is affecting. Not all verbs require a direct object.

     Nathaniel    ran.
       Subject     Verb      (no direct object needed)

No matter how much additional information you add, the heart of your sentence will always be a subject, a verb, and a potential direct object.

     Every morning before work, Mary-Anne jogged around the park.
                Additional Info               Subject     Verb        Add. Info 

     Nathaniel loves peanuts on his ice cream sundaes.
       Subject   Verb   D.O.            Add. Info

If a sentence does not have that central subject and verb, then it isn’t a sentence—it’s a sentence fragment.

The subject and verb of a sentence are like the bread in a sandwich; take them away, and you no longer have a sandwich, you have a salad. Or worse, a KFC Double Down.


     Mary-Anne looked around the dusty old room. Light from the window fell upon an open jewelry box sitting on the shelf, full of tarnished old jewelry. Dirty emerald bracelets and ragged pearl necklaces.

The first sentence of that example has both a subject and a verb: Mary-Anne and looked, respectively. The second sentence has them as well: Light and fell. The third sentence, however, is a fragment—it has nouns that could serve as subjects, but it has no verb.

The problem with sentence fragments is they technically have no meaning—they can impart scant amounts of information, but they don’t tell readers what to do with it. Imagine helping a friend clean their house; you arrive, they hand you a bucket of paint and a brush, and then they walk off without explaining what they wanted you to do with the paint. Do you paint the room you’re in? Another room? The exterior of the house? Did they just want you to put the can of paint away?

Sentence fragments create a similar sense of confusion on a smaller scale. They can throw your readers out of the story, which is rarely desirable.

Now, sentence fragments aren’t always bad. Think about the way you think—it’s not always in complete sentences, is it? Sentence fragments can be a useful method for mimicking the way people think and perceive the world. For instance:

     I sniffed the air, trying to identify the familiar scent. Pickles? Why did my office smell like pickles?

In that example, Pickles? is a sentence fragment. Since it mimics the way humans think, it is easy and natural to follow the author’s intended meaning. This is a useful fragment.


In the future we may delve more deeply into sentence fragments and what makes them work or not work. For now, my advice is to avoid them. They can be occasionally useful, but their detriments tend to outweigh their usefulness unless you really know what you’re doing. More often than not, you’re better off using full sentences.